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Breakable Things, by Loren Kleinman
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After the fracture, after the breaks in the surface, there is always light. Breakable Things is a testament to the idea that everything is breakable, and everything somehow finds its way back together again. Whether it's past, present, and future; falling in love and out; or darkness and light, life is full of beautiful contrasts. Loren Kleinman presents the world in breakable objects: bones, cabinets, hearts, sexuality, and more. She shows us that broken does not mean damaged, and that it's a necessary part in the process of becoming a whole person.
Here's what people are saying about Breakable Things:�� � � � � � � �Breakable Things is a rattling tribute to the fragility of consciousness and memory. "I'm cut on the floor, / porcelain in the skin, / and he breaks / he breaks he breaks he breaks me," Loren Kleinman writes. Fastened with pinching, deep detail, the shock of loss and a seasoned sense of being resonate throughout this book. Here Kleinman describes the bewilderment of being and the feelings that come from breathing, existing. "I step into the dirt. / Its dampness / makes me feel I exist." Caked with shame and smoke, soot and blinking bugs Kleinman renders a panorama of sharp, dazzling poems that haunt and captivate us long after the reading of this book is completed. �
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-- Geoffrey Gatza, Publisher, BlazeVOX [books]
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With unpretentious clarity, guts and a bit of soul, Breakable Things has solidified Loren Kleinman as my favorite new poet.
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-- Kola Boof, The Sexy Part of the Bible, Akashic Books
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[Breakable Things] has a visceral quality. The images and lines within these poems are precise and surprising--layered with texture. I was drawn in by the details and kept connected with the phrasing. There is a flow to this text, a common experience of relationships coupled with the unique perspective of being alone, which creates fascination within the reader.�
--��� Jason Carney, author of Starve the Vulture, Kaylie Jones Books
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Loren Kleinman's shining new collection of poems "Breakable Things" examines love and loss and renewal in its many faces. This is a collection, yes, where things are cracked and breaking, where people are "dressed in shame and smoke", but there are, as well, highly charged erotic poems that engages the fusing of not only bodies but of souls as well. There are poems of touching intimacy --- memorials and testimonials to mothers, lovers, children and friends, as well very sensual poems to the ocean, the moon and the love of various kinds of foods as in the gorgeous "Wildlife in my Kitchen." This is a collection where "Two boys" before our astonished eyes, "become butterflies" and then there is the truly outstanding, "Your Body is a Green Dress" that confronts and seeks to make sense of the atrocity of a sixteen year olds death at the hands of her classmate.� This is a raw, powerful collection of poems that deserves a place on all our bookshelves.
--��� Jacqueline Bishop, founding editor of Calabash: A Journal of Caribbean Art & Letters; and author of The River's Song
- Sales Rank: #3479382 in Books
- Published on: 2015-03-25
- Original language: English
- Number of items: 1
- Dimensions: 7.99" h x .22" w x 5.00" l, .23 pounds
- Binding: Paperback
- 90 pages
About the Author
Loren Kleinman's poetry has appeared in journals such Drunken Boat,�The Moth,�Domestic Cherry,�Blue Lake Review,�Catch & Release(Columbia University),�LEVURE LITT�RAIRE,�Nimrod,�Wilderness House Literary Review,�Narrative Northeast, Writer's Bloc, Journal of New Jersey Poets, Paterson Literary Review (PLR), Resurgence (UK), HerCircleEzine�and�Aesthetica Annual. Her interviews appeared in IndieReader, USA Today, and The Huffington Post. She is the author of Flamenco Sketches and Indie Authors Naked, which was an Amazon Top 100 bestseller in Journalism in the UK and USA. Kleinman's The Dark Cave Between My Ribs was named the best poetry book of 2014 by Entropy Magazine. Loren's website is: lorenkleinman.com.
Most helpful customer reviews
0 of 0 people found the following review helpful.
A wiry kind of human spirit
By D
A conundrum: Loren Kleinman has been to the depths. There is, in this book,a well of sorrow so fraught with anguish that no human reading it could escape the long physical pull on heart, on stomach, on soul.
Yet. Yet. It escapes despair. Somehow, when the plunge is deep, when the slide is nearly at the bottom, when the moment of no return should be there, when Kleinman should be saying to us, "Okay, here we suck the gas, slit the vein, give in to the endless sucking hole from which there is no return" - there is a veering off. Not cowardice. Not a flitting butterfly of sticky-goo. Not "and then I woke up." Not even the smiley face of the cover art, really.
If I had to venture a guess, Kleinman presents more a wiry kind of human spirit: it takes so little to let go, but only a little more to hold on. Whatever seeks to destroy you, isn't worthy of the victory. The man, the dope, the world that berates, attacks or just ignores you: You're better than that. She's better than that.
Humans are breakable things. And mendable things. Most times.
0 of 0 people found the following review helpful.
No Faking It Here
By Susan Tepper
These economical poems have a deep root structure and many leaves and petals, yet they are by no means nature poems in the traditional sense. What Kleinman has written in this book are 'human nature' poems that deal with all the pain and foibles we species of a lesser form possess. This poet knows how to create emotional tension without milking the poem to death. The beauty here is that life is presented without artifice, and with great amounts of honesty in the face of human troubles. No faking it here. Most highly recommended.
0 of 0 people found the following review helpful.
Real as it Gets!
By Dustin Botta
Sometimes her words hug you, and slap your face, and kick you in the gut. Maybe a bit lower too. 1/2 beautiful, 1/4 raw, 1/4 ethereal. 4/4 amazing.
Kleinman excels when she drops a real thing down, painfully low, and then elevates it. Shes masterful at her art. Her plays with language is spectacular and at times surprising - in a good way. Loved it! I need more!
The Objects, The Beds I've Slept In, and First-Date Oysters are standouts for me.
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