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Good Friday relived - indeed. I set myself the task of telling it from the point of view of the prisoners in chains beneath the Praetorium - and as the Roman Colonizer might well have viewed it. No Jesus, no disciples, no saints or angels, no priests... A storyline that could never be dismissed as incredible... The Praetorium: seat and centre of foreign occupation in Jerusalem; as such, hated and despised by the native population. The parallels with today's world are not, I hope, overstated. "Let those who have eyes to see... ears to hear..."
- Sales Rank: #8581584 in Books
- Published on: 2012-10-15
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .39" w x 6.00" l, .52 pounds
- Binding: Paperback
- 170 pages
About the Author
Sean Walsh has lived and worked in communications all his life - editor, preacher, producer, director, journalist, subeditor, actor - in Ireland and abroad. His first venture into self-publication, Notes on the Past Imperfect is on sale at Amazon outlets, U S and Europe. Drama remains his first love... His scripts have been broadcast on RTE, Radio One, BBC 4 and, in translation, on European networks; televised on RTE One, BBC One and Channel 4; staged at the Peacock by the Abbey National Theatre, at the Project, the Eblana, the Liverpool Playhouse and on the London Fringe… Credits include The Night of the Rouser. Earwig. The Dreamers. Fugitive. Veil. Penny for Your Travels. Far Side of the Moon. Three for Calvary. Jenny One, Two, Three… The Circus. Centre Circle. Where Do We Go from Here, My Lovely? Conclave. Assault on a Citadel. He has conducted many workshops on Creative/Script Writing in Dublin and at various centres around Ireland. https://www.sean-walsh.me
Most helpful customer reviews
1 of 1 people found the following review helpful.
The drama of Good Friday
By Martin Hogan
Sean Walsh has written a thought-provoking and powerful play, indeed trio of plays, about the drama of Good Friday, taking his inspiration from the passion according to Matthew and, in particular, from the evangelist's portrayal of Pilate, his wife, Barabbas, the two insurectionists who were crucified with Jesus, the Roman centurion and Joseph of Arimathea. The result is an imaginative re-telling of the Passion story that allows us to hear it in a way that speaks to our times. The characters in this drama are real people; the dilemmas they stuggle with are authentic human dilemmas. All the time Jesus is off-stage, yet his absent presence is the catalyst for the many dramas within this dramatic text. Of all the characters, Pilate alone is a person of power. Yet, by the end of the play we are left wondering if the way he exercises power has robbed him of all authority. The contemporary resonances are palpable.
1 of 1 people found the following review helpful.
Excellent Read
By Joanna O'Byrne
A wonderful read, it's so believable, as though the writer himself was there and part of it all, he takes us on a remarkable journey leading up to the crucifixion of Jesus. Would make a great screenplay.
0 of 0 people found the following review helpful.
At the Praetorium
By Sean Walsh
We know the Good Friday story all too well - or do we?
In "At the Praetorium" Walsh views the trial and crucifixion of Christ
through another prism - the eyes and feelings of the "minor" characters
in the story, thieves, servants, soldiers, Pilate's wife. In doing so,
he moves US, the audience, centre-stage and challenges our
convictions.
It would take a highly-talented playwright to construct new drama
from the most dramatic day in world history. Such is Walsh's talent
that he has managed to chisel out in a simple but stark fashion a
whole new perspective on the Crucifixion story. Indeed, he is genuinely
asking, "Were you there when they crucified my Lord?"
Three fast-moving and sparely-written one-act plays [the third one a
fusion of the first two] capture the mood, tension and the challenge
of Good Friday in a wholly new and convincing fashion.
- John Quinn.
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