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Francesca Caccini. Barbara Strozzi. �lisabeth Jacquet de la Guerre. Marianna Martines. Fanny Hensel. Clara Schumann. Lili Boulanger. Elizabeth Maconchy.
Great composers all, but their musical legacy is still rarely acknowledged.
Since the birth of classical music, those women who dared to compose have been patronised, had their sex lives scrutinised and the veracity of their authorship questioned. They worked within a musical culture where beliefs about what women could and could not do determined their every move. Yet, time and again there emerged individuals who would evade, confront and ignore the rules that sought to exclude them from the world of composition.
Taking the reader on a journey from seventeenth-century Medici Florence to London in the Blitz, and beyond, Anna Beer reveals the hidden histories of eight remarkable women, explores the special communities that enabled them to compose their music, and asks tough questions about why we still don’t hear their masterpieces performed.
A long-overdue celebration of neglected virtuosos, Sounds and Sweet Airs presents a complex and inspirational picture of artistic endeavour and achievement that deserves to be part of our cultural heritage.
- Sales Rank: #708270 in eBooks
- Published on: 2016-03-21
- Released on: 2016-03-21
- Format: Kindle eBook
Review
"I am constantly in search of books that explore the lives of women who have been dismissed or overlooked by history, and this is what makes Anna Beer's latest book a total godsend. SOUNDS AND SWEET AIRS: The Forgotten Women of Classical Music is an intoxicating historical examination of the way gender has shaped what we consider to be canonical. While reading, it became alarmingly clear to me that we're missing out as a culture because prolific female virtuosos like Francesca Caccini, Clara Schumann, and Marianna Martines remain unknown to the masses. Beer's impassioned overview delves into the hopes, motivations, and struggles each woman faced as she attempted to pursue her vocation while coping with the "boys club" mentality of their respective music communities. SOUNDS AND SWEET AIRS reminded me what a radical act it is to be a woman with an appetite to create."
—Lenny Letter
"Savvy, sympathetic ... essential and insightful study of a woman’s unsung place in the closed world of classical music."
—The Wall Street Journal
“Absorbing ... [Beer] writes with rich detail and sympathetic insight about [these women's] ambitious, adventurous battles to overcome barriers to creativity."
— Publishers Weekly
"One of the greatest wrongs done to these exceptionally talented women, who in many cases achieved international renown in their own openly sexist time, is that they have one after another been forgotten. Beer’s meticulously researched book is a vital step in the battle to overturn that ultimate injustice."
— The Observer
"A meticulously researched, engrossing read, vividly bringing its eight subjects to life. It should appeal not only to music connoisseurs but to anyone interested in social and cultural history - and women's place in it."
— Financial Times
"Both feminist analyst and fluent biographer, Beer makes engrossing and cogent cases for her subjects. She concludes that the proof of their art lies in the hearing and recommends recent recordings.”
— Booklist
"SOUNDS AND SWEET AIRS, by cultural historian Anna Beer, is a timely bulwark against forgetting, and proffers a number of reasons for the fading of female artists’ reputations.... This book helps show why a narrative that insists that the good stuff will naturally and always rise to the surface is simplistic. It is important for us all, composers, musicians, audiences, men, women, society at large, that we seek out the best and most exciting creative voices, from wherever they may come."
—The Guardian
"This is a truly inspiring and fascinating book... Female composers today no longer need to feel there is anything to stop them creating music and forging a career as a composer — if there is still any doubt, then just read SOUNDS AND SWEET AIRS."
—Debbie Wiseman MBE, Classic FM’s Composer in Residence
"A fascinating glimpse into the world of the women whose music we should know and be hearing in the canon."
—Charlotte Bray, winner of the Lili Boulanger Memorial Prize 2014 and composer of At the Speed of Stillness
"An important book... groundbreaking and entertaining... This book should be required reading not just for those interested in cultural history, but for anyone wishing to understand the perception of women in the modern era."
—Professor Steven Parissien, Director, Compton Verney
"A fascinating and refreshing rescue of a few well-chosen exemplars from the worthy but dull hands of musicologists. Anna Beer brings her telling selection of creative women to vivid life as she explores how they and their music fared in their social, political and sexual contexts: not least in how they cleverly manipulated their contemporary worlds to their best advantage. And when we get to the Mendelssohns, brother and sister, and the Schumanns, Clara and Robert, Beer takes a long overdue and welcome scalpel to the sentimental and foetid veil obscuring the realities of their famous relationships. Thrilling."
—Natalie Wheen, former presenter on BBC Radio and Classic FM
"This book is a delight. Eight striking composers are reinstated in musical history, thanks to Anna Beer’s energetic research and lively writing."
— Professor Nicola LeFanu, Department of Music, University of York
"Elegantly written, SOUNDS AND SWEET AIRS offers compelling evidence of the prejudices against women composers’ aspirations across the centuries."
—Rhian Samuel, Composer and Professor Emeritus, City University London
"Anna Beer’s eloquent and passionately argued narrative builds on the most up-to-date scholarship and makes an irresistible case for listening again to the work of women who were among the most admired musicians of their age. Much more than simply an attempt to balance the historical record, SOUNDS AND SWEET AIRS is essential reading for anyone who wants to understand music’s power and the politics of gender and sexuality that promoted, shaped and silenced women’s compositional careers from the Renaissance to the twentieth century."
—Professor Daniel Grimley, Merton College, Oxford
"A rich, revealing study of the lives of eight outstanding female composers.... . In unveiling their lives and works within the cultural context of their times, Beer asks difficult questions about the gender-based prohibitions that faced these women and interfered with their ability to express themselves. She demonstrates how they eluded, defied, or overlooked the philosophies, traditions, and gender biases that sought to silence their musical voices. Long overdue, this book includes a list of recommended listening for each composer, a glossary of musical terms, and suggestions for further reading. This important work furthers cultural understanding of the history of female composers. Highly recommended."
—CHOICE Magazine
About the Author
Anna Beer is a cultural historian, and the author of biographies of Milton and Lady Bess Raleigh. She is a Visiting Fellow at the University of Oxford. She lives in Oxford, England.
Most helpful customer reviews
0 of 1 people found the following review helpful.
Five Stars
By Patricia Carey
Well written and stories we should all know about gifted composers whose music we should be hearing.
0 of 1 people found the following review helpful.
Five Stars
By John Bratland
Excellent
0 of 2 people found the following review helpful.
didnt finish
By MARY REVELS
I thought this was a novel but its more factual.
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