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The Blood Mirror (Lightbringer), by Brent Weeks
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The fourth book in the Lightbringer series from New York Times bestseller Brent Weeks.
When does an empire fall?
The Seven Satrapies have collapsed into four-and those are falling before the White King's armies.
Gavin Guile, ex-emperor, ex-Prism, ex-galley slave, formerly the one man who might have averted war, is now lost, broken, and trapped in a prison crafted by his own hands to hold a great magical genius. But Gavin has no magic at all. Worse, in this prison, Gavin may not be alone.
Kip Guile will make a last, desperate attempt to stop the White King's growing horde. Karris White attempts to knit together an empire falling apart, helped only by her murderous and possibly treasonous father-in-law Andross Guile.
Meanwhile, Teia's new talents will find a darker use-and the cost might be too much to bear.
Together, they will fight to prevent a tainted empire from becoming something even worse.
LightbringerThe Black PrismThe Blinding KnifeThe Broken EyeThe Blood MirrorUntitled Lightbringer Novel #5
For more from Brent Weeks, check out:
Night AngelThe Way of ShadowsShadow's EdgeBeyond the Shadows
Night Angel: The Complete Trilogy (omnibus)Perfect Shadow: A Night Angel Novella (e-only)The Way of Shadows: The Graphic Novel
- Sales Rank: #66998 in Books
- Published on: 2017-07-18
- Released on: 2017-07-18
- Original language: English
- Binding: Paperback
- 704 pages
Review
"Brent Weeks has a style and immediacy of detail that pulls the reader relentlessly into his story. He doesn't allow you to look away."―Robin Hobb
"The Lightbringer series is great fun. Nobody does break-neck pacing and amazingly-executed plot twists like Brent Weeks."―Brian McClellan, author of Promise of Blood
"His plot feels like an orchestrated chess match between genius grandmasters."―Publishers Weekly on The Broken Eye
"The Blinding Knife was even better than the The Black Prism (and that's saying something!)"―B&N.com on The Blinding Knife
"Brent Weeks is so good it's starting to tick me off."―Peter V. Brett, New York Times bestselling author of The Desert Spear on The Night Angel Trilogy
"The Blinding Knife is a wonderful work of high fantasy with engaging characters facing the perfect antagonists, set in a creatively-wrought and increasingly chaotic world brimful of imaginative magic and interesting politics. Weeks holds fast to the traditions of his genre while adding a compelling new flavor."―The Ranting Dragon
"One of the best epic fantasies I've ever read."―Staffer's Book Review on The Blinding Knife
"Weeks manages to ring new tunes on...old bells, letting a deep background slowly reveal its secrets and presenting his characters in a realistically flawed and human way."―Publishers Weekly on The Black Prism
"...A solid, entertaining yarn."―The Onion A.V. Club on The Black Prism
"Weeks has written an epic fantasy unlike any of its contemporaries. It is a truly visionary and original work, and has set the bar high for others in its subgenre."―graspingforthewind.com
"One of the best Fantasy books of 2012!"―A Dribble of Ink on The Blinding Knife
About the Author
Brent Weeks was born and raised in Montana. He wrote on bar napkins and lesson plans before landing his dream job years and thousands of pages later. Brent lives in Oregon with his wife, Kristi, and their daughters. Find out more about the author at www.brentweeks.com or on twitter @brentweeks.
Most helpful customer reviews
6 of 6 people found the following review helpful.
fun enough to read, but there were some issues
By Sneaky Burrito
Hmmm, where to start with this one. This book is leaving me really conflicted. I've spent a couple of days thinking about it after finishing it and I just don't know how I feel about it. There are some high points and some low points, hence my compromise rating of 3 stars. First I think I'll talk about the criticisms I've seen leveled elsewhere, because they do deserve discussion, and I think I have a bit of a different take on the matter (at least according to a discussion board I participate in).
Please note: I am assuming that you have read the first three books in the series if you are looking at this review. I will try not to include any spoilers for this book, but I may inadvertently drop a few for past books.
A number of my online acquaintances thought the characters in this book thought about sex too much. And that sometimes it wasn't even logical for characters to be thinking about sex at the time these scenes came up. I really only think this content applied to two characters' storylines, Kip's and Teia's. Teia does either mention sex in conversation or thinks of it periodically. Once it is to say Kip didn't ever force himself on her. Once is implying she has a disease to ward off the advances of someone she's not interested in. Once it is to wonder if she can manipulate certain male arousal responses by drafting paryl (magic in this book involves the electromagnetic spectrum and her skill is with X-rays, basically) when she happens to peek in a room while climbing the side of a building and sees a couple in an intimate situation through a window. I always think the references to sex in her storyline are contextual and don't seem obsessed.
And then there is Kip's story. (More on the importance of his actions in the plot later.) He is recently married and there is trouble in the bedroom. He is a teenager surrounded by other teenaged males who also happen to be his friends, and naturally there is joking going on. Sometimes his wife even gets in a good line or two. Now, the condition his wife (Tisis) suffers from is real (I happened to see a TLC special on it once, long before I ever read this book). And I get that the author included this condition to create tension with respect to the marriage and its legitimacy. But that's just it -- the tension seems manufactured. I think there are enough other sources of tension (Kip's lingering feelings for Teia, the fact that a war is going on, etc.) between two rather young newlyweds who don't know each other well that this element didn't have to be included, and it kind of seems like the story was altered just to include a discussion of Tisis's condition. (Let's face it -- a fantasy novel is a weird platform for spreading awareness about this sort of thing.) I'm being vague here on purpose so as to avoid spoilers, but just read the author's note near the end of the book to get the gist of it. Anyway, I just don't feel like this part worked very well. (And, for the record, it didn't take up like half the book or anything. Kip's storyline had a lot of other things going on since he was on the front lines in the war effort.)
So. In my opinion yes, there was sexual content, but it wasn't excessive, it just wasn't always very artfully done, either.
There are a lot of POV characters in this book. I've mentioned Kip, who is leading the effort to take back a forested area that the government (Chromeria) needs for building ships. Teia, a member of Kip's squad, has stayed behind at the Chromeria to further infiltrate the Order of the Broken Eye (I've become kind of unclear on their mission at this point, but that may be my failing; they seem to like killing people a lot and to want to destabilize the government). Gavin Guile, the former (or current?) Prism (basically a guy who can manipulate all colors of magic) is imprisoned beneath the Chromeria buildings. Karris, Gavin's wife, is the White, who is basically in charge of the government, and then there are random scenes with General Danavis (he gets one) and his daughter Liv (she gets two). I'm not really even going to talk about Liv and her father any longer as they are quite peripheral to the plot.
Of the remaining four POV characters already mentioned, I enjoyed reading three of them. I was interested in Kip's, Teia's, and Karris's struggles. I couldn't really take Gavin's scenes because he was kind of crazy in a lot of them, either hallucinating or interacting with magical constructs so often I couldn't always tell what was real and what wasn't, so in the end, I'm not so sure what happened for half of it. Is he eating the bread given to him or isn't he? Is it poisoned or not? Is he on a hunger strike or not? Is he hallucinating scenes with his father or are those real too? At any rate, the POV rotates often and the chapters are short, so we never had to spend too much time with him.
The rest of the scenes, which were more than 2/3 of the book, were good. There was some humor (not quite as much laugh out loud humor as in past books as Kip seems to be learning to control his tongue), there was a lot of action, the pace was mostly pretty quick. I thought the sense of danger and conflict for the protagonists was real. (Not that I was particularly worried about character deaths. I just felt the characters took suitable losses and risks of discovery and were sabotaged and tricked enough times to keep the suspense up.) So even though I've leveled some criticisms above, I did actually enjoy the process of reading the book and will definitely pick up the next one (which should be the last in the series).
As for plot, this did have a bit of a "filler" feel to it. Although Kip's storyline had an end, in a sense (at least a temporary one), and Gavin's did as well, Karris's and Teia's really didn't. It was just business as usual for them going forward. And Kip's battles, though important (goodness knows that was drilled into us through lots of explanation), always felt like a bit of a diversion to me.
One element I'll single out for special criticism because it irritated me a lot. Kip was in an area called the Blood Forest. He rescues some men (drafters, or magicians) from slave boats. He has also allied with a separate group of drafters (pygmies) from the forest. Now, apparently these two groups are mortal enemies and have diametrically opposed philosophies of magic, including about which actions are permissible and which are not. We end a chapter with Kip going to meet these two groups together. And in Kip's next chapter, we learn he has brilliantly brought them together without a hint of a fuss or tension. But we never hear what he did or said. That is totally skipped over. Aargh. (For what it's worth, this one time is really the only incidence of this sort of thing.)
Overall, most of the characters were sympathetic, I thought the writing was good (but not perfect), I was entertained, and I am still interested in seeing where the next novel goes. There were just a few elements (discussed above) that kept me from giving this book a super high rating.
96 of 109 people found the following review helpful.
Mixed Bag
By S. A. Ford
Well, that was disappointing. Kind of.
First off, I feel I must warn potential readers that Blood Mirror is not, in fact, the last book in the Lightbringer series, as I thought, but rather the second to last. Undoubtedly, this unknown fact (to me) somewhat soured my experience of the book as a whole and, undoubtedly, I am somewhat to blame for not double/triple-checking the series length BEFORE reading. After all, fantasy authors do, unfortunately, have a habit of stretching things out once they have a hit on their hands. Weeks having changed it once from a trilogy to a quadrilogy(?) already, I thought this series was safe. Locked in. Apparently not. But, I digress. To the actual *penultimate* book itself.
Despite the initial grievance, this is not a bad book. Indeed, there is a lot of good stuff here, a lot of creativity, a lot to admire. The magic system, the fun interplay (for the most part) between the characters, the surrounding mythos of the world--all of that is still here. Some of it is expanded upon or, even, improved.
Kip, in particular, sees vast improvement in this installment. Previously, I must admit that I have always disliked this character and his POV chapters and I bemoaned it when the series began to shift away from Gavin and more toward his whinging (albeit fake) bastard. He was annoying and unfunny in a particularly painful, cringe-worthy sort of way (and not in the cute, adorkable way that Weeks was obviously trying very, very hard to evoke). In this book, however, his maturity grows in leaps and bounds and the evolving relationship between him and Tisis is one of the Blood Mirror's stronger points. So, yes, I actually found myself liking a few of Kip's POVs this time around, which was something of a shock.
Karris and Teia, meanwhile, are both serviceable. Neither have any WOW moments, but they both have stuff to do and that stuff is generally interesting. And that's all I have to say about that.
Gavin, though, is the best, as always,and he remains the primary reason I read this series. As in the Broken Eye, there is too little of him here when compared to the other POVs--but, as I expected this, I didn't mind the focus on the other characters overmuch. With him, the story always crackles on the page, and this book is no different.
I will quibble slightly, however, and say that it is in his plot line you can feel the stretching of these books the most. It's quite clear, as it was in the last, that Gavin's plot is ready to move on, to get going toward the end-game, but because Kip's and the rest aren't, Weeks has to make Gavin's chapters shorter and sparser and, in a sense, very Rand al'Thor-esque (which is both good and bad, as you Wheel of Time fans ought to know).
As for the actual writing, it is, like in the previous three, uneven. Weeks' inner dialogues go on far too long, explain things far too much, spell out what exactly precisely specifically the characters are feeling at all times, and generally illustrate an overall lack of trust in his reader to intuit anything on their own. If not for the cursing and violence, this series could very easily be put in the YA category. Every now and again, though, Weeks will go on these wonderful little runs that are both surprising and beautiful. A paragraph, a bit of dialogue, that is genuinely moving.
But alas, similarly, the tone is also all over the place. One minute characters are making fart jokes, the next they're saying ridiculously melodramatic things like 'I am become death'. Also, a character directly quotes Sartre, somehow, some way, and for some reason.
Basically, with Weeks one learns to take the good with the bad. Great, creative ideas; wildly varying execution of those ideas.
As for the last couple critiques, I fear I must dip briefly into virgin waters. So be warned:
SPOILERS AHEAD
Let's just cut right to the heart of the matter, shall we? Ret-conning. Others here have accused Gavin's backstory as presented in Blood Mirror as a rather extreme form of ret-conning, and I have to agree. At the very least, it feels something as a cheat. We the readers have always recognized the fact that it was a ridiculous notion that fake-Gavin had managed to smuggle real-Gavin into the center of a bustling, paranoid city and imprison him there without anyone the wiser. But the books previous to this one never wavered in the conviction of that notion and so we, the readers, went with it. We accepted it. Hell, we even got several POV chapters of real-Gavin trying to escape.
But now, it turns out that we were all just having a grand shared fictional hallucination--because real-Gavin was actually never imprisoned, he was killed by fake-Gavin ages ago, during their last battle. Mind blown, I suppose, even if it feels as though this was a twist either made up completely on the fly, or well after the second book was written.
There are other revelations made to fake-Gavin down in his colored prison that I won't go into here as, for the most part, they worked. This Fight Club twist was the only one that really had me rolling my eyes. Heavily
Now, on to the much maligned subplot with Tisis and her uncooperative loins. Yes, you read that right. There is a goodly portion of this book, an epic fantasy/adventure, devoted to a young teenage couple being unable to consummate their marriage due to the clenched too-tight muscles of a lady's nethers. Reading the other reviews, a lot of people seemed to have some hate for this one, but honestly I didn't mind it. It dragged on for far too long (penetration is only achieved, in fact, in the very last chapter and on the very last page of the book, which is--to be frank--an odd choice) and it reminded me of a 30 Rock episode wherein Liz Lemon experiences the very same problem, which made me chuckle a little every time the problem was brought up. But overall, eh. It was fine. Sort of weird, not in that this issue exists, but in that so much time and word space was devoted to it. But fine and it didn't ruin the book for me by any stretch.
END OF SPOILERS
So, yeah, basically you already know if you're buying Blood Mirror or not. If you've read the previous three, you're buying it. I'll just add that you don't have to worry about Wheel of Time levels of filler here. Stuff actually happens. There is also no absolutely egregious cliffhanger (ala Dance of Dragons/Walking Dead). And the next book, book 5, has a BUNCH of cool stuff set up to happen. So. Nothing to worry about. Yet. But if a Book 6 is ever announced, yeah. Ima be worried.
Otherwise, my fellow fantasy chums, we all of us settle back in for the long wait. Doors of Stone, Winds of Winter, Stormlight 3, etc, etc, and now another Lightbringer book. So. Here's to hoping the end next promised us is actually that: an end.
2 of 2 people found the following review helpful.
Better than the relatively disappointing Book 3 and many interesting details revealed
By M on Amazon
With a Kindle you see the percentage of the way reading through the story. I was thinking this was the final installment all along. I am a little annoyed upon completing the book that 10%+ of this book is glossary, character description and backstory to catch up on. As far as Kindle reading goes this is not The Book any more than the page of copyrighted description is content. So I was fooled but I am glad to learn that this series is going on for at least another book. At this pace it could be at least two more.......not that I think it moves too slow. I am enjoying it for the most part.
Unlike some reviewers I found this book better than the previous (book #3). They destroyed the hero and boosted the dork character last time. This book offers many very interesting details and we see the dork losing his dorkiness and becoming more of a decent protagonist. The previous book seemed to open up plot revelations in a much less plausible fashion. So and so is actually that to those characters? Never could have seen that in a million years. Unlike the previous book those in this book are well thought out.
It is difficult to think of Karris as the same character now that she is The White. There just is not anything left of what she was except a few descriptions and occasionally some action comes out serving as a reminder like tossing a little salt & pepper on a potato. It is still a potato. Good writing provides the reader with an experience more than just reading descriptions. Karris seems old now. Time will tell. Weeks has demonstrated the ability to ebb and flow. He has designed a very interesting magic world. He has a great great great imagination. He is a very good writer. There are many interesting things going on here.
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